The Analogue to Digital Continuum
I recent years I’ve more than enjoyed spending time with my film cameras and their resulting images.
The negatives / transparencies get scanned, and out pops a digital asset, a JPG or a TIFF.
But it’s still a film photo, isn’t it.
The scans might have varied colours or not look quite right, so a tweak or two makes them look “better”.
But it’s still a film photo, isn’t it.
The composition wasn’t quite right, or the horizon wasn’t level, so another tweak.
But it’s still a film photo, isn’t it.
I’ve been cavalier, I’m not a purist.
But this image of ferns got me thinking.
Made with my Yashica Mat LM on Kodak Gold 200 at F3.5, I love the focus fall off, but also noticed a few marks on the negative.
The grain issue obviously noticeable at 100%, as are dust spots, and a hair.
But if I remove every blemish, it’s not a film photo, is it?




